Thursday, February 9, 2012

Peter and Naomi - Dancing to Vocal Jazz


Here are two more dancers recognizable by only first names, Peter Strom and Naomi Uyama, doing a choreographed routine at last year's ILHC.

Most of my friends know that my favorite type of music to dance to is mid 1930's instrumental Jazz.  I love the really chunka-chunka rhythms and the syncopations.  I find inspiration in the energy of an era in music where Jazz was still a bit rough around the edges and full of innovation, but not every dance is filled with this kind of music.  

The playlists at the large dances here in Tampa are much wider and include everything from the occasional 20's Hot Jazz, 40's and 50's pop vocal Jazz, 50's and 60's Rock-n-Roll, modern songs, current remakes of old songs, Neo-Swing, and even the occasional 70's R&B, Soul, or Funk.  The DJ's cater to a wide variety of tastes and, as would be expected, Vocal and Pop Jazz from the 40's and 50's makes up a significant percentage of the regular mix.

"Where are you going with this, Tom?" you ask.

Good question.  Did you notice the song in the clip?  It's "I Could Write A Book" by Sarah Vaughan.  

This is not the thumpy chunka-chunka 30's Jazz you find most often in these competitions as of late.  This is a song that would be much more common in our scene.

I picked this clip because I felt it was relevant and shows some very creative uses of Jazz movements and musicality to a vocal Jazz number.  Of course the routine is choreographed, but take apart the pieces and look at how they fit into the song.  Watch how they play off the hits, the melody, the loud and the quiet moments.

Bury these ideas deep into your mind (and your feet) and see what you can do.  I hope this inspires you to break out of old patters.  I know it inspires me.



Sunday, February 5, 2012

Tranky Doo Follow Up

In the time since I posted about the Tranky Doo I've noticed a lot of talk and excitement from fellow dancers in Tampa and Orlando.  I know a number of you have been practicing and joining in at the local dances.  That's great!

My friend Don Kruse recently found and shared a list of all of the moves and the order they go in.  Everyone learns differently and I know that having a written list like this is helpful to me since I'm very much a visual learner.  I hope it helps you too.

Feel free to print for your own use, and if you know Don tell him thanks and ask him for a dance.  He's one heck of a dancer and a gentleman.

*Not a picture of Don Kruse

Tranky Doo Choreography


Breaktime - 2 bars (comes during the last 2 bars of the intro)

Fall of the logs - 2 bars (comes during the first 2 bars of the head)

Scoot Around with side to side - 2 bars

Fall of the logs - 2 bars

Scoot Around with side to side - 2 bars

Push Downs - 2 bars (8,1 hold 2, hop 3, 4,5 hold 6, hop 7)

Boogie Forward - 2 bars

Push Downs - 2 bars (8,1 hold 2, hop 3, 4,5 hold 6, hop 7)

Boogie Forward - 2 bars

Apple Jacks - 4 bars

Rocks - 2 bars

Side Rocks - 2 bars

Shorty George - 2 bars

Boogie Back - 2 bars

Shorty George - 2 bars

Breaktime - 2 bars

Knee Slaps - 2 bars

Crossover - 2 bars (clap on

Suzy Q - 2 bars (hop and kick with left foot on 7)

Reverse Break - 2 bars (left leg up on 4, down on 5, hop back 7)

Messaround - 2 bars

Fall of the log Break - 2 bars (spread legs on five, together on 7)

Eagle Slide - 2 bars

Drop Boogies - 2 bars (right foot first, together on 7, kick right foot

Mambo Step - 4 bars (right point on 2, left 3, cross with right on 4 hold 5, left point on 6, step 

right 7, cross with left on 8 hold 1)

Step around - 2 bars

Jump, Fall, Hop - 2 bars (jump one, fall 2, hop 5 6 7

Truckin - 4 bars (cross on seven to hop back)

Hop Back with Left foot - 2 bars (kick with left on 7)

Kick Around - 2 bars

Strut - 4 bars

Box Step - 12 bars

Shout - 8 bars

Clap and Point - 8 bars

(song starts over from the head)

Fall of the logs - 2 bars (comes during the first 2 bars of the head)

Scoot Around with side to side - 2 bars

Breaktime - 2 bars

Fall of the logs - 2 bars

Scoot Around with side to side - 2 bars

Push Downs - 2 bars (8,1 hold 2, hop 3, 4,5 hold 6, hop 7)

Boogie Forward - 2 bars

Push Downs - 2 bars (8,1 hold 2, hop 3, 4,5 hold 6, hop 7)

Breaktime - 2 bars

Wednesday, February 1, 2012

Dax's Triple Step Practice

Quick update!


I was talking with David Toop tonight, as we practiced swingouts, about the importance of pulse and carrying the pulse through in your triple steps, and I recalled these two videos featuring Dax Hock showcasing some triple step practices.


Take a quick look and feel free to copy his movements either by yourself




or with a partner.




Notice how he keeps the pulse even and steady regardless of what his feet are doing.


If the three beats of a triple step can be stated as "tri-ple-step" there's a downward movement into the ground on the "tri" and "step" while the "ple" goes no higher than the starting neutral point.


One of the things I notice a lot in our scene is a "ple" that moves upward above the neutral point, creating a bump movement that breaks the pulse and looks uneven.


Try these out and see if you can mimic the steady pulse shown in these videos.  Practice doing this in front of a mirror or video camera to get a good view of yourself and see how solid you can make your pulse - and then see what you can do on the social floor with a partner.


Enjoy!